KAIMIŅŠ NO DZELTENĀS MĀJAS (lv)
NEIGHBOUR FROM THE YELLOW HOUSE (en)
VIZINHO DA CASA AMARELA (pt)
De / By Max Fernandes e and Elza Marta Ruža
Co-authors, participants, actors:
Minka Varga, Diāna Pētersone, Aleksandrs Alans Kalniņš, Guna Ruzankina-Baņņikova, Lauris Pētersons, Gunta Ungure, Laura Liepa, Gabriels Pētersons, Nauris Francuzēvičs, Anda Kociņa
Residência em/Residency at Seda, Latvia
28.06 > 04.08.2024
Curadora Curator: Linda Krūmiņa
Produtora Producer: Sandra Lapkovska
Residência artística organizada pelo / Artists' residency organized by the New Theatre Institute of Latvia em colaboração com o / in collaboration with the Valmiera Summer Theatre Festival
(Live on radio the radio of the school and performance) Nauris
I think I'm too smart. Smarter than others. It seems that they do not think about their actions, about their words. But I always do. That's the problem. What should I say? When should I say it?
(Performance) Anda, Minka, Gabriels
(Live voice) Laura
(A) Aleksandrs
(D) Diāna
(Live stream on the radio of the school) Laura
They think I need a lot. It's my faith… maybe it bothers them that I have a belief.
This was a neglected place. People got together and figured out how to make this place interesting - interesting for tourists and other residents.
An hotel, a cafe, a train to the bog. Everyone wants to come, see bears, wolves, birds, whatever they can see here.
And it will not be those who live behind the fence. They will be the locals.
(Recorded voice) Nauris
I tried to go back to my country. I didn't feel at home at all. They made me feel so uncomfortable, like I was a stranger at home. Seda is wonderful because everyone is a stranger here. They all came here to work in the peat factory and they can't go back. And they feel what I feel. They are not all Russian. But they have not become Latvians either.
(Performance) Lauris
I built from what I had. No doors, no roof, no nothing, just walls. I did it with babysteps. I built a stove there, put a roof on it, that's how I lived through the first winter.
I lived in the tent for 3 months. Until the first frosts. Then it became too cold to sleep in the tent. I woke up in the morning, but there was already ice all around.
Here, both the council and the courthouse blocked all possibilities for me, I couldn't get a job. Any at all.
I came to live here from Germany. My father was ill.
My stepmother found out that I lost my job there, it was a good job, and of course she kicked me out of the house.
I went to the gater and asked if I could at least be hired unofficially. I started working, bought a garage. I created with what I had.
Summer came and it became easier, but still - I had no tools. Bit by bit, I bought tools and that's how I got back on track.
(C) Diāna
(A) Guna
(B) Gunta
All the women are standing still on the same cable machine.
C: Living together, we lost our essence.Women exercise for a while (4-5 times) without speaking. Guna stops exercising and speaks.
A: I was never alone.Guna gets off the cable machine and picks up an exercise ball, which she carries. Gunta and Diana also change their exercises. Then Guna continues talking.
A: I didn't want anyone English, no Poles, because in England everyone is either English or Polish. I looked around the gym.Guna looks at the men in the audience.
Here, a Pole, Englishman, Englishman, Pole… And I thought: Oh, this one is handsome! I don't know where he comes from.All women swap machines. Then, when they are all seated, they start exercising. After a while, Diana starts talking while continuing to exercise.
C: When we came, I said - a young family should build their own life, not together with the whole household.All women switch equipment. Guna lies on the flat padded bench. She lifts the bar a couple of times, the last time she struggles. Gunta and Diana help her push it. Guna sits facing forward.
C: I have one child - a daughter.Diana and Gunta go and sit on a bench. Guna walks to the opposite side and picks up two kettlebells. As she walks, Diana unscrews a bottle, takes one small sip. Guna comes back, puts down the kettlebells and looks in the mirror.
A: He became depressed.Diana takes a very long sip. She hands the bottle to Gunta. She puts the bottle down. Guna turns the other way.
A: We are not together anymore.Diana gets up to her feet.
C: I left for my daughter.Guna is the first to walk to the cycle rack. Then Diāna follows. They sit down (without pedalling yet). Gunta stays on the bench.
B: It was the first trauma where life split in two. But all my life I wanted to go back.Guna and Diana start to cycle. Then they stop spinning, but they let the wheel turn for a while.
B: We had two backpacks. We had nothing.Guna gets off the bike trainer, looks around. Then she goes back to the treadmill where she was standing at the beginning.
A: We had nothing. I took my daughter's clothes, toys and the most important things, but I didn't have Christmas decorations, curtains and things like that. I am a circus performer. I don't need practical things. But I looked at my daughter.Knocking. They all look at the door.
A: There was one of the old ladies.Knocking. Pause.
A: I opened the door and she had a cardboard box full of Christmas decorations in her hands. She says they are old. They are very old, they are not nice and shiny, but this is what she and her family have put on the Christmas tree all her life, since she lived here. Her family is gone. She sat down and watched my daughter and I decorate the Christmas tree we found on the side of the road.Pause
B: When I wasn't living in Seda, I saw Seda in my dreams almost every night.B: A: I don't live for the moment. Most people do. That's why they suffer. But the future is where you want to be!
(A) Aleksandrs
(B) Guna
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Agradecimento especial pela partilha das histórias a / Special thanks for sharing the stories to:
Aleksandrs, Anda, Arsēnijs, Bēate, Guna, Gunta, Igors, Jevgēnijs, Laura, Klavs, Margarita, Mārtiņs, Nauris, Raja, Valeria, Viktorija, Vitālijs, Tatiana e Zaiga.
Agradecimento também especial pelas traduções, transcrições e ajuda no texto a / Also a special thanks for live translations, transcriptions and help with the text to: Jānis Golubovs.
Agradecimentos a / With thanks to:
Jānis Petersons, Presidente do Conselho Municipal de / President of the Municipal Council of Strenči, à Associação de / to the organization of Seda ”Hope Stepping Stone”, a / to Viktorija Briunina, Diretora da Biblioteca de Director of the Library of Seda, a / to Artai Šomase, Especialista da Casa da Cultura de / Specialist from the House of Culture of Sedas, ao Distrito de Turfeiras de / to the Peat Bog District of "Sedas" AS Taures e aos seus funcionários / and its employees, a / to Jevgēnijs Martinkēvičs, a / to Dace Gaigale, à Diretora da Escola Primária de / to the Headmistress of the Strenči, a / to Arsēnijs Cepeļevs, a / to Žanna Kalniņa e muitas outras pessoas de Seda e da área circundante pelas suas conversas, envolvimento e ajuda na realização da peça / and many thanks to other people from Seda and the surrounding area for talking to us, getting involved and helping us make the show.
Apoio / Support : Magic Carpets (EU programme ”Creative Europe” and co-financed by the Ministry of Culture of the Republic of Latvia)